Mamiya 7 ii loading film full#
Mamiya 7 ii loading film series#

These travel horizontally (the earlier M645 cameras had a vertical-travel shutter). The camera has an electronically-timed focal-plane shutter with cloth blinds. The camera represents a significant improvement upon the features of its predecessors (the original M645 and M645 1000S), in particular because of the extension of the modular construction to include removable film backs. It was designed by Tsuneaki Munakata, who also designed the Mamiya ZM and Mamiya RZ67. However, I should also note that mimicking the colors of Ektar 100 has proven tricky! And that's my favorite film stock.The M645 Super was introduced in December 1985. I only break out the film when I have an unusual, specific reason to. Given the difference in size, convenience and cost of operation, routinely using the digital camera is an obvious choice. The false colors from tiny, in-focus highlights were only really noticeable when pixel-peeping, but the moire (on a car radiator!) required serious fixing. To my eyes they looked a little different, but I couldn't say better or worse.) Aside from that, the only really noticeable differences were the false color artifacts and moire pattern that the digital image suffered but was, of course, completely absent from the film scan. (One commenter pointed to the 'much better tonality' of the film scan.

The film emulation preset was not perfect, but it did get a generally similar look. I put the Sony's files through a Porta 160 film emulation preset, and I scaled the film scans down to the same 24 MP size (which I don't think lost any meaningful image detail).

Mamiya 7 ii loading film series#

As someone who spent countless hours in the darkroom i can honestly say that i do not miss it (i also did multiple tests where i took borders of portra, slap them on a digital file edited to fake a look of portra and posted them next to actual pics taken on portra but re-edited after scan just to hear 'how film just kills digital' - get the point? Yes, there is something special about shooting film but it isn't 'how they look' but rather about 'how you shoot it' when you shoot mid format film you take your time - your posing, composition, framing is 'thought trough' - meaning you take your time - after all you get about 10 (6Г—7) exposures from the 120 roll - digital photographers tend to 'spray and pray' taking hundreds of exposures per session hoping that they get something good - i shoot digital same way i shot film - my average studio or location session will be 50-70 exposures, tops (tethered studio sessions are usually less since i know right away if i got a shot i was looking for per look) - just my 5 cents.ДЇor whatever it's worth, I once set up my tripod and took a series of comparative test shots with my original Sony A7 and with a Fuji GW690 III loaded with Portra 160. First of all, if i hear 'there is something special about film' i will get physically ill.

Mamiya 7 ii loading film full#

The Mamiya RZ67, however, has a fixed selection of lenses since they are not made anymore the 110mm f/2.8 is widely regarded as one of the most legendary portrait lenses ever and is a real joy to use.Дo you have any experience shooting medium format film and a newer full frame digital camera side by side? The Sony a7 series has a great selection of existing lenses for portrait work, and the selection is growing year byВ year.

I found this particular video engaging since I own and regularly use a Mamiya RZ67 as well as a Sony a7 camera (an a7R II), and while I am a landscape photographer primarily, I take a good number of portraits and enjoy using both cameras for them. The Sony a7 III has proven itself to be a modern workhorse, capable of meeting just about any photographer's needs. Though the RZ67 has not been made for some time, it was widely considered one of the best portrait cameras of its time. In this videoВ brought to us by Sophia Carey, we see a fashion portrait shootoutВ between a Mamiya RZ67 (loaded up with Kodak color negative film) and a Sony a7 III. With film's popularity on the rise, photographersВ shooting both film and digital is becoming more and more common.